calder lowe
Henrietta the Seamstress, the one I nicknamed “Goiter,”
came to my grandmother’s brownstone to mend assorted rips
and tears accumulating in faded dresses, smocks.
She was an intimidating woman who smirked and scowled
and pinched my wrist whenever I’d squeeze past her chair,
and I wished she would take the work home in parcels
wrapped in paper bags from the A & P on 4th Ave. and 45th Street.
But no, she was to stay, and I was to be grilled with grinding regularity
again and again in front of the Singer treadle machine
that sputtered its cacophony into the dim stretch of hallway.
“Have you been saved, little girl? Have you seen the light?
Have you taken Him as your own personal Savior?”
she rasped every Thursday evening at 6 p.m. as she poked
my chest with her tailor’s chalk, and squinted menacingly
over the rims of her bifocals. Every Thursday at 6:01 p.m.
I answered yes. I lied. I was 8 years old.
Henrietta “Goiter” was an ugly, wretched, tyrannical hag,
but by age 10, being convinced of my spiritual preeminence
as a convert of Billy Graham’s Madison Square Garden Crusade,
I spoke with such vehemence and superiority, bolts of lightning
shot from my index finger. Righteousness blazed from my eyes.
She was finally silenced, struck dumb. Glancing backwards,
over my shoulder, I saw her pedaling absently,
reduced to a slab of stone, a bulging body for hire,
chin stitched into swollen throat, mechanically hemming
in her own darkness, cowed by the blinding light
of my arrogance, my utter lack of grace
Sunday, March 20, 2011
calder lowe - mirror in the hallway
calder lowe
is a poet, Ragdale Fellow, and former college English instructor. Her
publishing group, Dragonfly Press, recently released its tenth book, The Call: An Anthology of Women’s Writing, and she has work forthcoming in anthologies produced by Jacaranda Press, Forest Woods Media Productions, and the Sonora Writers Group.